Chicago Odense Ensemble

(...) Improvisation is not unfamiliar to the two danes, however, as they are more than accustomed to working from spontaneity and freeform structures in psych/kraut/prog unit Causa Sui in their hometown of Odense. During the Chicago studio session hours of loose ideas, grooves and atmospherics were recorded, ranging from loud, intense musical outbursts led by cornetist Rob Mazurek, to delicate, colourful ambiences.

Later, the finest moments were edited, re-arranged and mixed by Jonas Munk in his studio in Odense, doing a great deal of cutting and pasting, and adding an occasional dreamy and dubby vibe to the soundscape. The result is something quite unique: a musical blend that exists somewhere in between the aesthetics of impro jazz, hypnotic rock and electronica. The closest reference for this kind of music is probably early 1970s proto-fusion jazz that strived for a similar synthesis of jazz improvisation, psychedelic rock, eastern and african sounds and the use of the studio as a musical tool instead of merely a recording facility.

Conceptually this album therefore seems more related to Miles Davis' ventures into electric music in the late 1960s that culminated in the early 1970s with albums such as "Live Evil", where improvisational jazz meets funk, psych and percussion driven world music. Even though Chicago Odense Ensemble is undeniably modern sounding in some ways, it also reaches back to an era in music where the fusion of jazz and elements of rock were still regarded with optimism, and where musical spontaneity and freedom seemed a vehicle for cosmic beauty rather than esoteric formalism.